Vera Champlin’s paintings celebrate the natural world captured in atmospheric plein air views and through still lifes of flowers, fruit and vegetables.
In addition to spending the summer of 1969 at Skowhegan School of Painting and Sculpture, Ms. Champlin earned a BFA in Painting and Graphics from the University of New Hampshire in 1972. Since 2000, after a background in dance, pastry arts and retail, Ms. Champlin shifted her focus to the mastery of watercolor and has garnered awards from a number of art associations. Further, Ms. Champlin has been featured numerous times in American Art Collector and in International Artist Publishing’s “How Did You Paint That? 100 Ways to Paint Your Favorite Subject.” Her teachers have included Christie Velesig, Arnold Desmarais, Mel Stabin and Mary Whyte. Ms. Champlin continues to work closely with collectors and win honors with her paintings in juried shows.
Ms. Champlin lives in Chatham, Massachusetts with her husband Peter and has two children, Nell and Waldo. When not painting her passions include her gardens, flowers, ballet, and traveling throughout France.
My ideas about what is beautiful and what has meaning began with my grandmother. She celebrated nature and the seasons through her gardens and flower arrangements. I too, draw my inspiration from the beauty of the natural world. Living on Cape Cod provides abundant inspiration from the beauty of its marshes and shorelines to the joyful displays of Cape flowers and gardens that bathe in its special light.
Maryalice Eizenberg is an award-winning artist and Massachusetts native. Born in 1948, she was surrounded by a family of musicians who naturally were supportive of her interest in the visual arts. She has been drawing and painting all of her life and has found her passion in plein air landscapes. Her art education includes course study at the Worcester and Springfield Fine Arts Museums. She holds a Bachelor of Arts Degree from Clark University and has studied with accomplished plein air painters John Cosby, Donald Demers, Joseph Paquet and Charles Sovek. She credits Charles Sovek with inspiring the confidence she must have to continue painting while people stop to watch and sometimes chat.
Maryalice has said there is no place she would rather be than standing outside behind her easel in front of an intriguing scene. Dramatic patterns of light and color are what attract her most to a subject. It is her emotional response to these elements that she tries to share with the viewer.
Maryalice has been featured in Cape Cod Life and Chatham magazines and "The Creative Spirit, Art in Chatham's Old Village." She also appears in Contemporary Cape Cod Artists: People and Places by Deborah Forman.
She teaches at the Creative Arts Center in Chatham and is a member of Oil Painters of America, Cape Cod Plein Air Painters and 21 in Truro. Her work is held in private collections in the United States, Europe and Japan.
Realism that excites has a foundation in abstraction of design. This is especially true in landscape paintings. A willingness to move the elements around to create an impression of the place that is rhythmic and pleasing is essential. The pattern of light that makes form, saturates color and creates mood holds it together. To capture the sense of a place at a specific moment in time is the reward given to the dedicated plein air painter.
Michael is the Curator of Exhibitions at the Cape Cod Museum of Art, since 2003. He was the Chief Art Preparator at the Gregg Museum of Art and Design for 10 years at North Carolina State University, Raleigh, NC. He has taught art at Pope John Paul II High School in Hyannis, and presently teaches acrylic painting for adults at the Cape Cod Museum of Art; He has held workshops at the DeCordova Museum and Sculpture Park, Lincoln, MA, the Truro Center for the Arts, Truro, MA and at the Weny Education Center at the CCMOA.
Attended Montserrat School of Art, Beverly, MA in the 1970′s. Also a decorative arts artist, Michael was awarded “Craftsman of the Year” by the early American Life Magazine in 2002 and 2005.
Art has been a big part of my life for over 50 years, from the first time I saw Salvador Dali’s “Persistence of Memory” I knew what my future will be as an artist.
From drawing and 3d assemblages to decorative painted furniture and always acrylic painting, my life has been full of making art. I continue to be amazed, never really expecting what lies ahead, starting with the first idea and brush stroke.The challenges are always there that pushes me to create.
One summer spent on Cape Cod during college was enough to convince me that I wanted to make my home there. After graduation in 1976 from the University of Pittsburg with a degree in Early Education my creative career has taken various paths including pottery, graphic design & photography, fiber arts, and in the recent past, innkeeping, which called upon many skills. But painting and drawing have always been my mainstay, even when most of my energy was required elsewhere. Now, I am very lucky to have the opportunity to focus on painting, working every day to improve as a watercolorist and to take on subject matter that I once categorized as "too hard".
I gather my inspiration in the field, making observations, taking photographs. I am drawn to imagery that combins fluidity with intricate detail and has strong contracts of color and light. The transparent approach to watercolor require planning and that is part of the process that I embrace. Each piece is a problem to solve- the technical and interpretive decisions that I make work in tandem. A tryly good painting both surprises me and is exactly what I had in mind at the outset. So a "better good painting" is always waiting on the next blank sheet of beautiful paper! My hope is that my paintings invite you, the viewer, into the scene to look more closely. And to draw you back after the image has become familiar.
I create art and always have because I am most engaged with a piece on the go. I am likely, upon quitting for the day, to be back in the studio every half hour to look at the day's work- evaluating, celebrating, regretting perhaps, thinking about the next step. For me, this is joyous.
I am a member of the Pennsylvania Watercolor Society, Philadelphia Watercolor Society, Master Artist Member of the Cape Cod Art Association and Signature Member of both the Transparent Watercolor Society of America and the New England Watercolor Society. I have won numerous awards at the national and local level and am represented by Gallery Antonia, Chatham, MA. www.galleryantonia.com or www.annhartsart.com
Norma Ann Mutch
Left the graphic design field to marry and raise a family – continued representational painting (oil) intermittently in the states and in Germany - until she and her husband moved to Cape Cod. In Germany and back in the states, won several painting awards in juried shows. Paintings were sold to private collectors in Germany, England, and The United States.
Left representational painting and turned almost exclusively to non-representational painting in 1999. In the years since, her work continues to sell and win many awards.
Ms. Mutch is a member of “VAC”, a by-invitation-only artists’ visual co-operative group of twenty Cape artists;
a juried member of The Cape Cod Art Association (CCAA);
a juried member of the Harwich Guild of Artists (with Gallery participation rights);
a member (including faculty staff) of the Creative Art Center, Chatham (CAC);
She has exhibited her work extensively including the following (and won many awards) at
The Creative Art Center, Chatham
The Cape Cod Art Association, Barnstable
The Cultural Center of Cape Cod, Yarmouth
The Gallery of The Harwich Guild of Artists,
Provincetown Art Assoc. and Museum
Framing Gallery (now “Art Works”) in Orleans
The former Red Wing Gallery in Yarmouth
The Stopfel Art and Architecture Gallery in Rockport
More recently, Ms. Mutch was awarded ”The People’s Choice” award for her painting “Follow Your Path” at the Cape Cod Art Association 2015 “Class Act” exhibit.
Year ‘round samples of her work can be viewed at the Gallery of the Harwich Guild of Artist off Main Street in the center of Harwich Port across from the Chamber of Commerce office and municipal parking lot.
Rosalie Nadeau’s paintings are influenced by both Realist and Impressionist traditions, balancing powerful color and classical form. An inspiring instructor in both pastel and oil, she generously teaches workshops letting light be the subject both on location as well as in the studio. Rosalie participates in master workshops as ongoing study. She has attended Plein Air Painters of America symposiums where she painted with several nationally renowned artists. She has studied the figure in the environment with Kim English, Margaret Dyer, and Sally Strand. Rosalie earned her BFA in painting at the Maryland Institute, College of Art in 1970 where she majored in figure painting.
Nadeau earned prestigious signature memberships in the Pastel Society of America, the Connecticut Pastel Society, Maryland Pastel Society and the Pastel Painters Society of Cape Cod. She has won awards too numerous to list. She is an original exhibiting member of “21 in Truro” and the Pastel Painters Society of Cape Cod.
Rosalie Nadeau’s vibrant paintings illustrate internationally distributed art books: Claire Waite Brown’s The Pastel Artist’s Bible, Lois Griffel’s Painting the Impressionist Landscape, Hazel Harrison’s Pastel School. Hazel Harrison chose Rosalie’s painting, "Thursday’s Lilies" for the cover of her Painting Shapes and Edges. She has appeared in numerous regional and local magazine publications and in feature articles in American Artist, Cape Cod Life, and in an extensive feature article in The Pastel Journal.
Her work appears in corporate collections: F. Schumacher in New York, Hale and Dorr, Liberty Mutual International, and Cape Cod Five Cents Savings Bank. The Cahoon Museum and the Cape Cod Museum of Art selected her paintings for their permanent collections. Currently Nadeau exhibits on the Cape at Trees Place Gallery of Orleans and at Left Bank Gallery of Wellfleet, and off Cape at Beauregard Fine Art in Rumson, NJ. Nadeau’s paintings are collected privately nationwide and abroad.
“I strive to create a tactile PRESENCE letting Light BE the subject. . . to bring the intense brilliance and presence I see to share through my paintings. . . ”
Tree’s Place Gallery, Orleans, MA Left Bank Gallery, Wellfleet, MA
"One of my favorite things is to open up the kiln to see what spectacular things have occurred during the firing process. Each time I feel like a kid on Christmas morning, so anxious to open it up to see what marvelous gift is inside."
on has been making pottery since 1969. He began working and teaching at the Clay Art Center in Port Chester, New York. He moved to Cape Cod in the early 80's and set up a studio and gallery at his present location.
He produces a variety of forms in stoneware, porcelain and raku by hand, on the potters wheel or by handbuilding. He also makes nonfunctional form oriented pots using primitive firing techniques. His functional pots are lead free, dishwasher safe, and microwave and oven proof.
Pottery has been an interest of mine since middle school. I remember the first time I worked with clay in 6th grade at Mattacheese Middle School with my Art Teacher Mr. Knowland. The feeling of working with the clay had such a soothing texture and I was mesmerized by it. Then, at Dennis-Yarmouth Regional High School I took pottery classes with Heather Funk and Jamin Eldridge and my interest turned into an obsession. Many days after school I was spending countless hours working in the art wing. From then on I knew art was going to be in my future. I transferred from Cape Cod Community College to The Art Institute of Boston and found my home away from home at the College of Visual and Performing Arts at University of Massachusetts Dartmouth. Graduating in 2013 with my BFA in Art Education and a concentration in ceramics.
Pottery is not only a medium of art for me but it is a way of communicating my thoughts into reality. The experience of crafting each ware from the drafting stage to completion then, for a customer to enjoy makes me happy beyond words. I make pottery that is not only functional, but it allows one to experience a well thought out design. These tranquil moments should be appreciated. Sometimes it is the simple things in life that give us a break from the monotonous everyday life process.
As a born and raised local, I see the Cape as a quaint, simple, yet stunning shoreline destination. The porcelain wares I create are specifically influenced by my ocean and beach surroundings. During the drafting process I strive to envision how the piece is intended for use for cooking or entertaining. Each functional ware is accented with my own hand carved stamps and slip trailing designs to compliment my seascape glazes.
All of my pottery is made of USA English porcelain, fired to cone 11 in a gas kiln. All porcelain wares are microwave, dishwasher, and oven safe. All glazes are hand mixed and lead free. Each piece is unique and one of a kind. No two pieces are completely identical. Custom orders are encouraged and take 3-4 weeks to complete. Customized pieces can be great for business advertising, awards, wedding gifts, baby shower and other special occasion gifts.
Raku Pottery is an ancient Japanese firing technique that has its roots in Zen tea ceremonies. There is no thrill like peering into a glowing kiln and witnessing the pots transformation. Reaching into the kiln with tongs and removing the pots into barrels of seaweed, sawdust and newspaper creates a smoking process. This process results in a very special one-of-a-kind gift. Some pieces also have horse hair or feather details. Raku pots are for decorative use only.
All of my work is handmade on Cape Cod at Diane Heart Pottery 1145 rt. 6A Brewster, MA (pieces for sale in the gallery)
my designs~ The inspiration for my designs comes from a fascination with, and detailed observation of the shapes, patterns and gestures of all living creatures and vegetation. I revel in capturing the tilt of a mermaid’s head as she turns her face to the sun or the twisting character of a grape vine tendril.
Fossils , sea glass, beach stones are as valuable a source of color and expression in the pieces as are amethyst, lapis lazuli, turquoise, ruby, sapphire and all the other traditional precious rocks and minerals. All my designs are fabricated in my studio.
I prefer to work with silver and gold. Any design can be created in 18 Kt or 14 Kt gold, sterling silver or the newest material-- Argentium sterling silver which is a new easy care, tarnish-resistant silver.
my work~ I am showing my work in Wellfleet, Orleans, Chatham and Osterville. I have participated in the SCCC and Artisans' Guild Fairs since 1986! See the Calendar for complete details. I continue to teach the only year-round class of Silversmithing on Cape Cod at the Creative Arts Center in Chatham. I joined the Artists Gallery at 593 Main St. in Dennis Village on March 1, 2006 and enjoyed a successful and delightful season as a member of this cooperative organization. The Gallery suffered a devastating fire on November 8, 2006 which left the building condemned. I am currently one of 16 local artists at the Coastal Craft Gallery, an amazing one-of-a-kind cooperative gallery in the Center of Orleans. One of us is always there to show you around and answer your questions.
Every other year, I visit the Cays off the coast of Abaco, Bahamas where they are supportive of my work and I participate in fund raisers for the Island Roots Heritage Festival held on Green Turtle Cay.
Marian Strangfeld graduated from Rutgers University with a BA in Studio Art, and from Cambridge College with a M.Ed in Art Education. She studied painting in the MFA program at UMass Amherst, as well as in various workshops and classes at other art institutions.
Her interest in art and education led to a career as high school Studio Art teacher and K-12 Art Director in Hopkinton MA. Under her leadership, Hopkinton High School was named a School of Excellence in the Arts, and represented Massachusetts in the Kennedy Center Creative Schools of Distinction competition. While teaching in Hopkinton, she also served on the Educators Advisory Board for the Museum of Fine Arts Boston.
In her own work, Marian explores the atmosphere and mood of the landscape. Her style is influenced by traditions of Asian Art, evident in her abstracted compositions and calligraphic brushwork. Her paintings have been recognized in exhibits at the Danforth Museum, Newton Open Studios, and the Beacon Hill Art Walk, earning numerous Juror awards, and other honors.
Marian's work is exhibited locally at the Chatham Creative Arts Center, where she is a member of the faculty, teaching both Painting 101and Sumi-e ink painting.
Her paintings can also seen at the Ray Wiggs Gallery in Provincetown MA.
Karen North Wells
Karen North Wells, an award-winning artist based in Cape Cod, paints in all three media:watercolo ,oil and acrylic. She considers herself an impressionistic painter, neither painting absolute realism, nor abstraction but somewhere in the middle.
Karen regularly paints florals, boats, still lifes, landscapes and seascapes, but bringing buildings and water views to life for special commissions are Karen's specialties.
"My goal now in life is to be a healer through my painting. I can't paint sad pictures," says Karen. "[My work has] to reveal the happiness that I feel. I want people to smile when they look at my paintings."
In addition to her commissioned original paintings, Karen has an extensive line of dozens of limited-edition prints and cards, making her work affordable to all. She also teaches painting workshops for The Cape Cod Art Association in Barnstable, MA, the Council on Aging in Orleans, MA and The Creative Arts Centers in Chatham, MA and at her Underground Art Gallery.
Karen has worked with her hands all her life, majoring in art education at Florida State University, and periodically teaching art in public schools between 1967 and 1994.
After taking off several years to raise her two children, Jonathan and Kirsten, Karen took up watercolors again in 1985 through the encouragement of her husband, the late architect Malcolm Wells. She later began painting in oils and acrylics.
By 1994, Karen's artwork sold well enough to allow her to retire from teaching. She has won awards for her paintings at the local art associations.
Karen loves to paint on location. She hopes to do paintings of landmarks in each Cape Cod town
In my you I had to choose between art and science. In 1990, after a career in science and academics, I moved toward art. In 1997 I took a course in oil painting and was immediately taken by the medium. I loved the way the paint made my drawings come to life. I found that my work has an emotional impact and presents a sensuous awareness of form and the way that light lies on surfaces. In 2006 I became extremely sensitive to all forms of solvents used in oil painting and needed to change my technique. After some experimentation, I found my way back to oil painting using a palette knife rather than brushes in order to avoid solvents. In the process, I also began to paint outdoors. My work became more sculptural with the use of the palette knife, and my color ideas developed more strongly with the plein air experience.
In 2008, my husband and I moved from upstate New York to Cape Cod. Once here, I became enchanted with the stark landscape of the dunes in Truro and Provincetown. I was fascinated by the way the wind shapes the sand and I created a series of paintings of that subject attempting to express the forms as well as the sense of serene solitude one gets when waling in the dunes. I have since begun a series called "Beach Dogs". Early in the morning, people bring their dogs to the beach to let them run. The combination of dogs, water and sand is very painterly and expressive. Though not human, dogs are very gestural and emotional. Because of the wonderful and vibrant artist community here on the Cape, I have now returned to the human figure with renewed vigor and a whole new, more atmospheric and emotional approach.
2009- Nickerson Art Gallery, Chatham MA
2007- Fingerlakes Gallery & Frame Shop, Canandaigua NY
2005- Steve Carpenter Gallery, Rochester NY
2005- Vagabond Gallery, Canandaigua NY
1969-Tufts University, BA Biology; 1980 Cornell University, PhD Education/Cognitive Development; 1980-81 Harvard Medical School, Research Associate; 1981-82 University of California, San Diego Post Doctoral Fellow; 1982-89 University of Rochester, Assistant Professor;1989-1996 Consultant to various industries in computer based education and training; 1996-2002 Website design.
2007 Katherine Bevier at RIT, Encaustics; 2006 David Lussier, Plein air painting workshop; 2003-08 Steve Carpenter Studio, Painting; 2004 Pelin Aire Landscape painting, Albert Handell and Anita Wolf; 2003 Print Making, Alice Gold; 2001-03 Memorial Art Gallery, Creative Workshop, Figure drawing and painting, Steve Carpenter; 2001 Armory Art Center, workshop in Portraiture, Nelson Shanks; 1997-99 Finger Lakes Community College, Painting with Tom Insalaco
Copley Society, Boston MA (artist member)
Figure Study Guild of New York, Rochester NY
Provincetown Art Association, Provincetown MA
Visual Artists' Cooperative, Cape Cod MA